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Margaret Mulligan

The Stars Have Eyes

Margaret Mulligan is Joe Mulligan’s biological mother and one of the few figures who can connect his modest domestic life to the hidden history of his family. Her visit initially appears comic and routine, but it becomes a crucial disclosure scene: behind the family’s casual explanations lies Barry Mulligan’s conviction, a thirty-year sentence of hard labor, and a history of deception that shaped Joe’s understanding of himself. Margaret’s warmth, embarrassment, protectiveness, and evasiveness make her more than a background parent; she embodies the intimate consequences of a society that classifies people as useful or unemployable while concealing the personal damage behind those labels.

Identity and Introduction

Margaret enters when Jeeves announces a visitor named Margaret Mulligan, prompting Joe to realize that he had forgotten his mother was coming. The timing catches him and Maggie in sleepwear at noon, after an intimate encounter whose evidence has just been erased. Joe therefore meets Margaret while trying to preserve the appearance of ordinary domestic respectability, even though his household and relationship have become anything but ordinary.

Her physical description makes her kinship with Joe immediately unmistakable. She is a short, thin, middle-aged woman with short brown hair arranged in a neat bob, soft round eyes, deep laugh lines, a large nose, and a pleasant smile. Her casual pink blouse and RetroStyle™ jeans reinforce her conventional appearance. She resembles Joe so closely that the two could pass for siblings if not for their age difference, giving the family resemblance a visual solidity that contrasts with the secrets she has kept from him. Her greeting is openly affectionate: she hugs Joe tightly and pulls his face down to plant a wet kiss on his cheek.

Family History and Concealed Truth

Margaret’s affection does not prevent her from participating in the family’s long concealment of Barry’s circumstances. She explains that Barry was not continuing deep-space mining by choice. He had intended to quit when Joe was born and had looked forward to leaving the work after Margaret became pregnant. A major accident then caused extensive injuries and the loss of millions of poundingtons, and Barry became the principal target of the resulting blame.

The truth is harsher than the harmless account Joe had apparently been given. Barry was convicted on fifteen counts of gross negligence and sentenced to thirty years of hard labor. His failure to send money home was therefore not evidence of indifference, gambling, or workaholism, but the consequence of imprisonment. The disclosure produces a complicated response in Joe: he is relieved that his father had not simply chosen pride or work over his family, yet he must also confront the fact that Barry was responsible for a catastrophe serious enough to produce a severe criminal sentence. Margaret’s confession thus restores one part of Barry’s humanity while damaging another part of his moral image.

Her admission also changes the emotional meaning of Joe’s childhood. Margaret had allowed him to grow up without knowing why his father was absent, presumably preserving a simpler version of the family story until Joe could no longer accept it. When Joe presses her to explain what is really happening, she recognizes that he was bound to discover the truth eventually and abandons the pretense. Maggie’s silent, unblinking presence makes continued evasion especially difficult, but the immediate pressure comes from Joe himself, whose recent experiences have made him more assertive than his mother remembers.

Attitude Toward Joe and His Status

Margaret is sensitive to the stigma attached to Joe’s educational and occupational classification. She speaks seriously about how difficult it was to see him graduate with an “Unemployable” evaluation and says that Barry took the result especially hard. Joe responds that more than ninety percent of children are classified as unemployable, treating the label as a normal feature of contemporary life rather than a personal tragedy. The exchange reveals a generational difference: Margaret still hears the designation as evidence that something has gone wrong with her son, while Joe has learned to live inside the category without allowing it to define his emotional stability.

Joe’s self-acceptance is reinforced elsewhere when he explains that poor aptitude scores did not result from lack of effort and that he was never strong, fast, or intelligent enough for conventionally important work. He nevertheless regards a life free from worry and stress, supplemented by the social possibilities of V-Life, as a good bargain. Margaret’s concern therefore belongs to the same world as the government’s classification systems: she sees the limits imposed on Joe and worries about what they mean, whereas Joe has made peace with a life whose value is measured in comfort, companionship, and modest pleasures rather than achievement.

Relationship with Maggie and the Household

Margaret quickly notices that Maggie matters deeply to Joe. After apologizing for dragging Maggie into the family’s private affairs, she receives the entity’s calm assurance that Joe’s affairs are important to her as well. Margaret responds with enthusiastic approval, calling Maggie sensible and wondering what her “fool of a boy” did to end up with her. Her response is funny because she interprets an eldritch Class-3 cosmic entity through the familiar categories of a mother meeting her son’s partner, yet it is also emotionally perceptive: she recognizes that Maggie provides Joe with a kind of stability and seriousness he did not previously possess.

Her acceptance is complicated by her incomplete understanding of Maggie’s nature. The figure presented in the household is a human-looking woman, while Maggie’s actual existence involves a radically nonhuman form, shapeshifting, and a relationship to Joe that exceeds ordinary domestic romance. Margaret’s normalizing response turns the contrast into one of the scene’s central ironies. She reads the impossible as evidence of good manners, while the supposedly ordinary family contains the more immediately painful secret of a father imprisoned for negligence.

Margaret’s role also clarifies why Joe remains emotionally connected to his family after Maggie’s separation. Even when he is trying to maintain Maggie’s vessel and imitate her absent personality, he draws strength from friends and relatives who have looked after him throughout his life. Margaret belongs to that protective network, although her protection has included silence. Her care is genuine, but it has not always granted Joe the autonomy that comes from knowing the truth.

Narrative Function and Significance

Margaret’s visit brings the story’s large systems of power down to the scale of a family conversation. Elsewhere, Sarah Johanson’s psionic abilities lead to compulsory military service, Maggie’s arrest is overridden by the Supernatural Eviction Agency, and Maggie’s diplomatic status protects her from a civil lawsuit. Margaret’s revelation supplies a related but more intimate example of institutional power: a workplace accident, criminal prosecution, and penal labor regime determine Barry’s absence, while the family must manage the emotional consequences privately.

She also provides the background against which Joe’s later decision to act becomes intelligible. Barry tells Joe that he must become his own man rather than allow Maggie to become his entire world, and Joe subsequently decides to take control of his life. By the time he prepares a third attempt to bring Maggie back, he has invested substantial time, effort, and money in the plan and treats success as necessary rather than optional. Margaret does not directly organize that transformation, but the family visit helps expose the difference between being cared for and directing one’s own life.

In this sense, Margaret is a quietly important counterpoint to the story’s more spectacular figures. Maggie can assume human form, Sarah can wield psionic power, and Joe can revive the Cult of the Gazing Star to reproduce the ritual that first summoned Magh'rathlak the Observer. Margaret has no such extraordinary ability. Her power is domestic and interpretive: she preserves a family, recognizes Joe’s changes, tells the truth when pressed, and reminds the narrative that every cosmic crisis is also lived by people who must greet one another at the door, explain an absent parent, and decide how much of the past can remain hidden.

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